However, the Applicant agrees that details about their project and their name and address may be held by LaRoda Films to assist with tracking for future correspondence. LaRoda Films may copy the submission for assessment, however, will not otherwise copy or distribute the submission without the prior consent of the Applicant. All rights in the submission remain the property of the Applicant.
(b) The Applicant will not hold LaRoda Films liable in any way for the use of ideas of a general or generic nature contained in the submission (including, without limitation, any idea, theme, situation, geographic area and/or period in history). (a) LaRoda Films receive many ideas, scripts and projects for consideration or assessment and it is possible that some of the ideas, scripts and projects already under consideration or submitted after the date of this application may be similar or identical to some or all of the project submissions and The Applicant acknowledges and agrees that:.The Applicant warrants that the project submitted is original, that they are the owner and author of the project and entitled to submit it and that they hold all rights, titles and interests (including copyright) in the project.
Online SubmissionsĪll material must be uploaded in PDF format only. The online upload service allows for easy submission of written works. In order to make the best use of time and resources, it is requested that submissions be accompanied by a One-Page Synopsis or Treatment. LaRoda Films accepts unsolicited scripts, screenplays, and short stories of any length, to be considered for development in close collaboration with the author. LaRoda Films is constantly seeking fresh and innovative material and offers an open door to writers who believe their work best fits the style and flavour of Blake Borcich and his creative network. Without a great story, you’ve got absolutely nothing.” – Blake Borcich. My passion as a visual storyteller stems from building upon only exemplary writing blueprints.
“Stripping away all the elements of the craft of filmmaking – which I consider ‘frosting’ – one should scrutinize and mature the core crux of the drama – the story – absolutely before anything else.